Not bad - Le bal des espions movie (Le schiave bianche).
Movie Issued - in 1960.
Soundtrack: "Stringerti fra le mie braccia" Written by 'Piero Piccioni' (qv) Performed by 'Rosanna Schiaffino' (qv)
The motion diagram be base next to "Documents à vendre", a Jean Bruce resourceful, feature monitor hero OSS 117. But the movie rights inwardly favour of the traits be not unconfined. So Michel Clement adapted the novel but changed the dub of the unprofessed agent into Brian Cannon. Brian Cannon be the name of another Jean Bruce's character (from the novel "Romance de la Mort").
Color Info: Black and White
Countries: France, Italy
Genres: Drama
Languages: French
Runtimes: 96, USA:88
Sound Mix: Mono
Tech Info: OFM:35 mm, PFM:35 mm
Release Dates: France:2 September 1960
In movie played:
Pierre Arland (actor)
Doudou Babet (actor)
Ignazio Balsamo (actor)
Death Notes: Catania, Sicily, Italy
Birth Notes: Catania, Sicily, Italy
Death Date: 7 August 1994
Birth Date: 25 October 1912
Michel de Bonnay (actor)
Claude Cerval (actor)
Articles: "La Presse Magazine" (France), 4 September 1961, Vol. 16, Iss. 826, pg. 18, "C'est ça les affaires"
Death Notes: Paris, France
Birth Notes: Paris, France
Birth Name: Leloup, André Marcel Gabriel
Death Date: 25 July 1975
Birth Date: 21 February 1921
Daniel Emilfork (actor)
Death Notes: Paris, France (natural causes)
Birth Notes: San Felipe, Chile
Magazine Covers: "Zitty" (Berlin, Germany), August 1995, Vol. 18, Iss. 17
Of Russian Jewish descent, his gaunt features were ideal for villainous roles.
Death Date: 17 October 2006
Birth Date: 7 April 1924
Yves Furet (actor)
Death Notes: Paris, France
Birth Notes: Saint-Mandé, Val-de-Marne, France
Death Date: 27 April 2009
Other Works: He played in two Jean Bruce adaptations: "Le Bal des espions" (1960) and "Furia à Bahia pour OSS 117" (1965)., Almost every time he's the french voice of Glenn Ford., 1951: Dubbed voice in the French post-synchronized version of Anthony Asquith's "The Browning version" (L'ombre d'un homme).
Birth Date: 27 February 1916
Lutz Gabor (actor)
Pictorials: "Cinemonde" (France), 1 September 1959, Vol. 27, Iss. 1308, pg. 18-19, "Les bleus du cinéma improvisent la plus folle partie de campagne de l'année"
José Jaspe (actor)
Death Notes: Becerril, Spain
Birth Notes: A Coruña, Galicia, Spain
Birth Name: Rivas, José Jaspe
Spouse: 'Mercedes Vecino' (qv) (? - 5 June 1974) (his death)
Death Date: 5 June 1974
Birth Date: 10 August 1906
François Maistre (actor)
Birth Notes: Demigny, Saône-et-Loire, France
Father is 'A.M. Julien' (qv).
Other Works: He played in two Jean Bruce adaptations: "Le Bal des espions" (1960) and "Furia à Bahia pour OSS 117" (1965).
Birth Date: 14 May 1925
Guy Neyrand (actor)
François Patrice (actor)
Birth Name: Aubouard, François
Birth Notes: Beirut, Lebanon
Birth Date: 1 January 1924
Andrea Petricca (actor)
Michel Piccoli (actor)
Articles: "Le Jour" (Belgium), 13 June 1998, pg. N2, "Le mépris : souvenirs de Piccoli"
Has one daughter, Anne-Cordélia, with 'Eléonore Hirt' (qv)., He has Italian origins., Has supported Lionel Jospin's 2002 presidential campaign., Supports young directors by producing their movies., Good friends with 'Simone Signoret' (qv), 'Yves Montand' (qv), 'Jean-Paul Sartre' (qv) and 'Simone de Beauvoir' (qv). They all supported the communist movement, but Piccoli disapproved of the totalitarian regimes in former Eastern Europe., Son of a French mother, Marcelle, and an Italian father, 'Henri Piccoli' (qv)who both were musicians. She was a pianist and he was a violinist., Member of the jury at the Cannes Film Festival in 2007., Was favorite co-star of his best friend 'Romy Schneider (I)' (qv)., Best friends with late actress 'Romy Schneider (I)' (qv)., Very good friends with late Italian actor 'Marcello Mastroianni' (qv) and French actress 'Catherine Deneuve' (qv).
Pictorials: "Votre Beauté" (France), February 1998, Iss. 714, pg. 76, by: Marie-Paule Vandunthun and Eve Zheim, "Comment on embrasse en 1998", "Playboy" (USA), November 1992, Vol. 39, Iss. 11, pg. 146, by: Bruce Williamson, "Sex In Cinema 1992", "Playboy" (USA), November 1975, Vol. 22, Iss. 11, pg. 137, by: Arthur Knight, "Sex in Cinema - 1975"
Interviews: "Le Monde" (France), 30 August 2001, Iss. 17602, pg. 23, by: Jacques Mandelbaum, and, by: Brigitte Salino, "Michel Piccoli, ses choix de vie, ses choix d'artiste", "Expresso, Revista" (Portugal), 1996, Iss. 1255, pg. 34-45, by: Joao Lopes
Born contained by a musician's relatives, he spent the best prehistoric fifteen years of his labour appear both by the on the side of raised area and on eyeshade, largely in political role. His breakthrough come after 'Jean-Luc Godard' (qv)'s _Le mépris (1963)_ (qv) and afford or lug a few 100 films, range from art-house pictures to commercial uncultured, follow. He win the Best Actor Award at the Cannes Film Festival in benefaction of _Salto nel vuoto (1980)_ (qv) in 1980 and the Silver Bear in Berlin for _Une étrange affaire (1981)_ (qv) in 1982. Not surprisingly, he be agreed to impersonate Mr. Cinema in 'Agnès Varda' (qv) _Les cent et une nuits de Simon Cinéma (1995)_ (qv).
Height: 184 cm
Quotes: "This métier necessitate farce. If you be bewitched beside your focused person, bewitched by yourself, by the masses or by the camera - the thespian be unalterably immodest - but possesses a acute perception of the humorist. I a bit comparable to the Italian manifestation "io faccio l'attore." The Italians don't say-so "I am an actor"; they say "io faccio l'attore." I would like to dark this conception to its commonsense appendage, to cause the narrative of like a marionette.", "It often happens that I listen to the way my partner speaks and respond accordingly. Sometimes I act alone; sometimes I am extremely attentive to my partner, in order to juggle with what s/he contributes. An attentive listening can suffice to act. I have even explored this possibility to the nth degree, in a sort of improvisation based uniquely on listening to my partner and the director, because deliberately as an exercise I hadn't read the script beforehand. I don't remember the title of the film [...]. I was fortunate to be more on the watch for the director, in the theatre or in the cinema, than of myself or of the character I play, and even of my partner. Listening, entering into the secret, has always been my way keeping my bearings - in order to be the best marionette that they had imagined. I have never been self-sufficient, unlike many actors. I like extremely discreet actors, who thus open up the imagination. To be really immodest, you would have to let loose in way that you would never dare in real life; I can't stand actors who let go unenthusiastically or modestly.", "Finally, I have played many loners who were both cerebral and physical. If I had the energy for it, I would write my two lives, psychoanalyze myself via the psychoanalysis of the characters whom I've played. That could explain why I went in this direction, why different directors employed me in an ultimately similar way. An introspection of myself and of the characters with whom I had a feast, to talk in a culinary way.", "When I act, I am rather far away from the film's crew, in the camera but distant from everyone; same thing in the theatre. Nevertheless, the acting must be very precise; the focus is sharp; the sounds of the text are audible, as clear as they can be. At the same time, I like very much to improvise in acting, like a painter adding a stroke here or there -then something faint or completely dark becomes visible, where we don't see the inner workings. I like to work in disorder and with the disorder of my partner, and also with the disorder that can exist in the director's imaginary or that of the writer, to have this kaleidoscope in me and to try make something of it immediately comprehensible. Or rather often, I enjoy being very comprehensible, and I introduce a lost moment, a blank, and an empty space in order to take off again in the construction that has been asked of me [...]. To interrupt a sentence, to change key. I like to be very sure of what I am going to do and thanks to that, to allow myself shortcuts. To this idea of disorder that I practice should be added: imagination. It's a matter of remaining on hold in the disorder that can exist when you think or say something. It would be the opposite of an automatic mechanism, of an expertise or of a professionalism. In fact, I like constantly to do exercises. There are musicians who practice all the time but we actors are not able to do that. We don't have an instrument, except if you say we are our own instrument, and yet [...] I always try to continue searching and working for the moment where you have to deliver. The Italian comic actor Toto was a role model for me. He was more than an actor; he was in his imagination, entirely. It is said that he never learned his text: when he had something long to say, he took off in a delirium, a logorrhea whose end his partners would await. It wasn't ham-acting or disregard for his fellow actors. He was inventing, writing as he acted what he had to play. I would like very much to be able to do that.", [on Brigitte Bardot] With Brigitte the relations were very courteous but no more than that. She did not want to make an effort to understand.
Birth Notes: Paris, France
Other Works: Autobiography: "Dialogues égoïstes" by Michel Piccoli, Play: Connaissez-vous la Voie Lactée? (1959)
Birth Name: Piccoli, Jacques Daniel Michel
Spouse: 'Juliette Gréco' (qv) (1966 - 1977) (divorced), 'Eléonore Hirt' (qv) (1954 - ?) (divorced); 1 child, 'Ludivine Clerc' (qv) (1980 - present)
Birth Date: 27 December 1925
Jean-Claude Rameau (actor)
Philippe Richard (actor)
Birth Name: Richard, Auguste Philippe
Birth Notes: Saint-Etienne, Loire, Rhône-Alpes, France
Death Date: 24 December 1973
Death Notes: Paris, France
Birth Date: 24 June 1891
Charles Régnier (actor)
During World War II, he was imprisoned in the concentration camp Lichtenburg due to his homosexuality., Was interred at the cemetery of Badenweiler-Lipburg., Father of 'Carola Regnier' (qv)., Was also a noted voice actor, best known for performing "Dracula"., Ensemble member at the famous Vienna Burgtheater from 1961 to 1962, where he had directed for several years before., As he spoke French fluently, he -like his wife 'Pamela Wedekind' (qv)- also worked as a translator of novels and scripts from French into German.
Death Notes: Bad Wiessee, Germany (stroke)
Birth Notes: Fribourg, Switzerland
Birth Name: Régnier, Charles Friedrich Antonio
Spouse: 'Pamela Wedekind' (qv) (1941 - 9 April 1986) (her death), 'Sonja Ziemann' (qv) (1989 - 13 September 2001) (his death)
Death Date: 13 September 2001
Birth Date: 22 July 1914
Walter Santesso (actor)
Birth Notes: Padua, Italy
Birth Date: 27 February 1931
Françoise Arnoul (actress)
Articles: "La Presse Magazine" (France), 4 September 1961, Vol. 16, Iss. 826, pg. 3, "Pas de morte-saison pour mes amours, dit Françoise Arnoul"
Pictorials: "Ciné-Revue" (Belgium), 22 February 1968, Vol. 48, Iss. 8, pg. 31, "Les films à la TV cette semaine", "Cinemonde" (France), 1 September 1959, Vol. 27, Iss. 1308, pg. 27, by: Pierre Montaigne, "On en parle à l'Elysées-Club"
Interviews: "Sur" (Spain), 1 April 1951, Iss. 4780, pg. 2, by: Santiago Souviron
Birth Notes: Constantine, France [now Algeria]
Magazine Covers: "Funk und Film" (Austria), 1 October 1955, Vol. 11, Iss. 40
Birth Name: Gautsch, Françoise Annette
Spouse: 'Georges Cravenne' (qv) (? - ?)
Birth Date: 3 June 1931
Maria Grazia Buccella (actress)
Birth Notes: Milan, Lombardy, Italy
Pictorials: "Playmen" (Italy), May 1973, Vol. 7, pg. 138-143, by: Sergio Marchetti, "Maria Grazia in Trincea", "¡Hola!" (Spain), 30 January 1971, Iss. 1379, pg. 13, "Cinegrama", "King" (Italy), March 1969, Iss. 1, pg. 138, "Venti zecchini d'oro"
Magazine Covers: "Playboy" (Italy), July 1977, "Playmen" (Italy), November 1976, "Kent" (Italy), January 1970, "Play Cinema" (Italy), 7 August 1968, "Parade" (UK), 16 March 1968, Iss. 1475, "Parade" (UK), 20 May 1967, Iss. 1432, "Continental Film Review" (USA), June 1965, "Continental Film Review" (UK), May 1965
Other Works: Play "Venti zecchini d'oro" (1969)
Birth Date: 15 August 1940
Marion Chéry (actress)
Dina Perbellini (actress)
Death Notes: Rome, Latium, Italy
Birth Notes: Vicenza, Veneto, Italy
Death Date: 2 April 1984
Other Works: Dubbing voice of 'Olivia de Havilland' (qv) in the Italian post-synchronized version of _The Adventures of Robin Hood (1938)_ (qv) (La leggenda di Robin Hood)., Dubbing voice of 'Joan Fontaine (I)' (qv) in the Italian post-synchronized version of _Music for Madame (1937)_ (qv) (Musica per signora)., Dubbing voice of 'Angela Lansbury' (qv) in the Italian post-synchronized version of _The Picture of Dorian Gray (1945)_ (qv) (Il rittratto di Dorian Gray).
Birth Date: 14 January 1901
Rosanna Schiaffino (actress)
Spouse: 'Giorgio Falck' (1977 - ?), 'Alfredo Bini' (qv) (? - 1977) (divorced)
Pictorials: "Celebrity Sleuth" (USA), 1995, Vol. 8, Iss. 5, pg. 48-49, by: staff, "In The Biblical Sense: Rosanna Schiaffino", "Modern Man Deluxe Quarterly" (USA), 1968, Vol. 8, Iss. Spring, pg. 19, by: staff, "Foreign film: Where it all began: Italy", "Jeunesse Cinéma" (France), July 1965, Iss. 91, pg. 27, "Cinéchos", "Modern Man" (USA), January 1962, Vol. XI, Iss. 7-127, pg. 8-11, by: Max Harris, "The Body from the Boot", "Stop" (France), 1960, Iss. 4, pg. 4 pp., "Rosanna Schiaffino va-t-elle trouver l'amour à Paris"
Daniel Boulanger (writer)
Jean Bruce (writer)
Michel Clément (writer)
Nino Lillo (writer)
Pierre Montazel (cinematographer)
Camille Sauvage (composer)
Michel Clément (director)
Umberto Scarpelli (director)
Raymond Lamy (editor)
Daniel Guéret (production designer)
This movie in search engines can be found also by requests based-on-novel